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WHAT MAKES A GOOD ICON?

12/14/2024

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Icons are the backbone of visual communication. Whether it’s a sign in a subway or an app on your phone, icons have the power to transcend language and instantly convey ideas. But what makes an icon good? After a decade of professional design exprience and reflecting on my fascination with symbols, I’ve distilled the answer into three essential criteria: legibility, recognition, and meaning.

1. LEGIBILITY: CAN IT BE EASILY READ?

Legibility is the foundation of any effective icon. It’s the measure of how effortlessly an icon communicates its intended idea, ensuring that viewers can instantly grasp its purpose without unnecessary cognitive effort.

Key Questions for Legibility
  • From how far away will the icon be viewed?
  • How quickly will your audience need to understand the icon?
  • Will the icon work in different colors, sizes, or in black and white?
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Legibility is crucial for communicating ideas quickly. For example, road signs must be legible at a distance and at high speeds, requiring simple, bold shapes and high-contrast colors. In this context icons can be simpler way to communicate urgent messages to drivers that need to make split second decisions and keep roadways safe.

2. RECOGNITION: IS IT FAMILIAR TO YOUR AUDIENCE?

Recognition is about familiarity. An icon should feel intuitive within its context, which is shaped by style, repetition, and cultural references.

Why Recognition Matters:
  • Familiarity builds trust - Recognition depends on creating designs that feel intuitive and familiar.
  • Consistency strengthens comprehension - Repeated use of a specific symbol helps viewers develop a commonly understood visual vocabulary.
  • Alignment with cultural references - Icons gain recognition by connecting with shared cultural or contextual understanding.
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Consider a red cross. In many countries, it is instantly recognized as a symbol for medical aid, but in some contexts, it is protected by international law and cannot be used freely in design. Meanwhile, in certain cultures, different symbols might be preferred for healthcare, like the Red Crescent. This illustrates how recognition is shaped by cultural, legal, and contextual nuances, and why designers must carefully consider these factors when creating icons.

3. MEANING: DOES IT CONVEY THE RIGHT MESSAGE?

Meaning is the trickiest and most subjective aspect of icon design. What an icon represents can vary widely depending on culture, age, and personal experiences.

Challenges of Meaning:
  • Cultural norms vary: Symbols may have different meanings across cultures.
  • Generational gaps exist: Older or outdated symbols may lose relevance with younger audiences.
  • Interpretation is subjective: Personal experiences influence how symbols are perceived.
  • Context matters: The same icon can mean different things depending on its environment.
  • Adaptability is key: Designs should evolve with changing norms and audience needs.
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Bathroom sign symbols are a classic example of how we attribute meaning to images, even when they don't directly represent their purpose. For instance, the simplified depictions of male and female figures are universally recognized as restroom indicators, despite having no inherent connection to the act of using a restroom. 
These symbols work because they discreetly reference the traditional practice of separating bathrooms by gender. However, as more inclusive restrooms become common, these symbols may begin to feel outdated. For now, though, they remain clear and widely recognized markers of restrooms around the world.

THE GOLDILOCKS ZONE

Designing a great icon is about balancing legibility, recognition, and meaning. The best icons resonate with their audience clearly and consistently, but perfection isn’t the goal. Icons are living tools that adapt over time.
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By asking the right questions and embracing your audience’s needs, you can create icons that don’t just look good but genuinely work. And that’s what makes a good icon great.
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    AUTHOR

    My name is Nathaniel Solberg and I am in the process of documenting my journey as a professional graphic designer.

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NATHANIEL SOLBERG DESIGN
ABOUT
CASE STUDIES
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CONTACT
  • ABOUT
    • MY PROCESS
  • CASE STUDIES
    • KATT WILLIAMS
    • ZEN ORGANICS
    • ST. PJ'S CHURCH
    • CONNECTION BEFORE CONCEPT
  • WORK
    • LOGOS
    • POSTERS
    • ABSTRACT ART
    • PORTRAITS
    • ILLUSTRATIONS
  • SHOP
  • Contact